BOSS RE-202 Space Echo Digital Delay Pedal
BOSS RE-202 Space Echo Digital Delay Pedal
BOSS RE-202 Space Echo Digital Delay Pedal
BOSS RE-202 Space Echo Digital Delay Pedal
BOSS RE-202 Space Echo Digital Delay Pedal


$300.0 Buy It Now or Best Offer
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Seller Store rockdog29er
(2401) 100.0%,

Location: Annapolis, Maryland
Ships to: US,
Item: 267028742618

All returns accepted:ReturnsNotAccepted
MPN:RE-202
Analog/Digital:Digital
To Fit:Electric Guitar,Bass Guitar
Boss:Boss
Type:Reverb,Tape Echo,Delay
Boss RE-202:Boss RE-202

Condition: New A pedal effect that recreates the Roland RE-201 Space Echo and includes new features. Released in 1974, the Roland RE-201 Space Echo is a legendary product loved by musicians around the world. Its rhythmic, warm echo sound creates a one-of-a-kind worldview and is highly acclaimed not only by guitarists, but also by producers and PA engineers. The RE-202 reproduces the Space Echo at an unprecedented level. BOSS, which is well versed in the original, has thoroughly pursued elements that have not been focused on until now, and has revealed the reason why it is a legendary sound. The RE-202 also offers new features to inspire the creativity of today’s musicians, including expanded repeatability, a reverb type, and a fourth playback head that does not exist on the original, and the ability to save these settings on the unit. The RE-202 has all the charm of the Space Echo that musicians find so appealing. <Key Features Replicates the sound and behavior of the Roland RE-201 Space Echo at an unprecedented level. Warm, distinctive echo sound, twice the length of the original Four playback heads can be combined to create 12 different sound variations. A complete reproduction of the original SPRING REVERB, with a choice of 5 reverb types including HALL, PLATE, ROOM, and AMBIENCE. 5. Modulation effect obtained by the WOW and FLUTTER knobs. The SATURATION knob controls the amount of preamplifier distortion. Two INPUT modes to accommodate various device input levels. The WARP and TWIST effects can be activated by pressing and holding the footswitch on the main unit. Direct sound can be selected from analog dry-through and the RE-201’s unique preamp sound. Four favorite settings can be stored in memory on the main unit alone, and up to 127 memories can be recalled when controlled by an external MIDI device. Tap tempo function allows you to set the REPEAT RATE with the touch of a foot. Carry-over function allows you to select whether to leave reverberation or not when effects are turned off. Stereo input/output jacks are provided. Extensive control terminals for external footswitches, expression pedals, and MIDI control. Adapter included What is Tape Echo? The tape echo was the first effect pedal that could produce the “Yamabiko” effect, a warm and dynamic sound that attracted many musicians. The tape echo is an extremely simple machine that uses a motor to rotate a magnetic tape and a recording head to record the sound, which is then played back by the next head. Therefore, the sound is easily affected by the structure, and changes depending on conditions, the speed of the motor, and how friction is applied. The sound changes depending on the condition, the speed of the motor, and the way the friction is applied, which also adds to the pleasant fluctuation of the sound. The legendary “Space Echo The RolandRE-201Space Echo, born in 1974, was the tape echo that dominated the era. Unlike tape echoes with a single playback head, which were common up to that time, the RolandRE-201 Space Echo had three equally spaced playback heads to create a rhythmic echo. The innovative free-running system minimizes the load on the tape, resulting in high performance. A spring reverb that produces iconic sounds is also built in, and these settings and controls can be easily made with the knobs on the front. In addition, the analog preamp section added the essence of the instrument’s appeal as a musical instrument, favored by musicians who are particular about their sound. ■ Complete Revival of a Masterpiece In addition to the vast amount of data accumulated over the years on the Space Echo, BOSS has thoroughly reanalyzed the original mint-condition unit and several vintage RE-201s stored in-house. By carefully examining the recording/playback mechanism, motor operation, tape condition, preamp character, and other aspects, we were able to completely recreate the iconic sound mechanism that had never before been revealed. ■Precision to the extreme The RE-202 pays the utmost respect to the original model, paying particular attention to the layout on the panel and the response of the knobs. The iconic MODESELECTOR knob, located in the center, offers a choice of 12 different combinations of playback heads. A fourth playback head, not present on the original, expands the number of Space Echo-like tricky echo sound variations by five. Reverb can be selected from a total of five reverb types including HALL/PLATE/ROOM/AMBIENCE as well as SPRING REVERB, which is included in the original. The magnetic tape condition can be selected from NEW/AGED to realistically reproduce the unstable behavior sound changes caused by aged tapes. The WOW & FLUTTER knob controls the natural modulation effect caused by the unstable rotation of the magnetic tape, and the SATURATION knob adjusts the amount of magnetic saturation and preamplified distortion. The stepwise changes in pitch that occur when the REPEAT RATE knob is turned and the intense oscillating sound that occurs when the INTENSITY is at its maximum value are also true Space Echo characteristics. The direct sound can also be fed through a pre-amplifier, just like the original, adding the unique essence of the Space Echo to the sound. Modernized Features The RE-202 has many of the features needed by today’s musicians: the REPEATRATE can be extended to twice the length of the original, allowing for settings that match today’s music scene. It can also store favorite settings and recall up to 4 memories when using the unit alone, and up to 127 memories when controlled from an external MIDI device. A tap tempo function is also provided, allowing the REPEAT RATE to be changed to match the tempo of the song while playing. Also, by pressing and holding the pedal on the main unit, you can turn REVERB on and off, and turn TWIST and WARP on and off for more aggressive effects. The inputs and outputs are stereo compatible, allowing you to fully enjoy the wide range of iconic reverb. The input level can be optimized to match the connected equipment. The direct sound mute function is also supported, making it useful not only for instrumental performances, but also for live PA applications. ■External Expansion The RE-202 is equipped with CTL1,2/EXP expansion terminals. Tap tempo, memory up/down, WARP and TWIST effects can be assigned to external footswitches. By connecting an expression pedal, you can control multiple arbitrary parameters simultaneously and save settings for each patch. the RE-202 is also MIDI compatible, making it ideal for control when building a system. Sampling frequency: 48 kHz The AF method (Adaptive Focus method) is a Roland/Boss proprietary method that dramatically improves the signal-to-noise ratio of the AD converter. DA conversion: 32 bits Internal arithmetic: 32-bit floating point Modes: 12 types Memory: 127 + manual Input level : INPUT A/MONO, INPUT B : -10dBu Maximum input level : INPUT A/MONO, INPUT B : +7dBu Input impedance : INPUT A/MONO, INPUT B : 1M Ω Specified Output Level : OUTPUT A/MONO, OUTPUT B : -10dBu Maximum output level : OUTPUT A/MONO, OUTPUT B : +7dBu Output Impedance : OUTPUT A/MONO, OUTPUT B : 1k Ω Recommended Load Impedance : OUTPUT A/MONO, OUTPUT B : 10k Ω or more Bypass : Buffered bypass Controls : ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, ECHO RATE knob, and ECHO RATE knob. INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button ■Connections :  INPUT A/MONO, INPUT B, OUTPUT A/MONO, OUTPUT B terminals: standard type  CTL 1, 2/EXP jacks: TRS standard type  MIDI (IN, OUT) jacks: stereo mini type  DC IN terminal  USB terminal : USB micro B type (for program update only) Power supply : AC adapter Current consumption: 140mA Dimensions :  192 (W) x 133 (D) x 52 (H) mm (excluding rubber feet)  192 (W) x 133 (D) x 53 (H) mm (including rubber feet) Weight : 860g Accessories : AC adapter, instruction manual, leaflet (safety precautions, precautions for use, contact for inquiries), rubber feet, warranty cardc

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